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muffled

The fog and snow make the wood of two colors, black and white.

Canon 50D - 35mm Zeiss

missing an hour at sunset.

In some places the weight of snow, accentuated by the ice, bent the lower branches, making the step on the path marked rather uncomfortable and tiring.

I remain impressed by the large number of broken branches due to the weight of the frozen snow, is a scenario of war, appear to have exploded grenades in the branches.

All those branches split by the force of wind and ice hinder the path: I decide to cut into the forest that borders the trail.

support a foot and surprisingly not sink into the snow, but how do I put my weight on the other, suddenly go down forty centimeters of snow in a soft and white.

Each step is worth three.

Get to the point that I set. The silence around me among the firs and beech trees are surrounded by mist, only the creaking of the trunks that bend to the north reluctantly breaks the hushed quiet that surrounds me.

I turned with a jerk, I'm sure he saw a shadow pass from the corner of the eye.

stopped breathing to listen better. She looked me over a log that obstructs the view.

was just an illusion. Perhaps the cold produces mirages.

Or maybe not ...

I open the stand and snap some photos.

Canon 50D - 35mm Zeiss

Canon 50D - 35mm Zeiss

Canon 50D - 35mm Zeiss

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The color of the Cold Lake

The feelings are colored.

Tranquillity is Green, anger is as red as blood.

Joy is an explosion of color, the fear is dark, I do not know what shades.

Hope is a light timid, deluded hope it is a light off.

Pain scratch vigorously where it already bad, is not satisfied in a hurry, have patience, has no color.

Alba cold - Canon 50D - 400mm

The cold I think black and white, sometimes blue.

last Sunday morning was cold, cold temperature, but a cold thin that enters the blood like a shiver.

The sky was the color of cold, mountains, covered with trees without leaves, fully reveal their own profiles below the diffused light of a milky sky.

Mount Badi - 400mm L USM

Detail of Mount Badi - 400mm L USM

South - west - Pentax 135mm f3.5

southeast

L'Alpe Pond - Canon 50D - 400mm L USM

Special Alpe Tin Canon 50D - 400mm L USM

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Suviana after sunset

The week winter that autumn has whitened my valley.

Over a thousand meters collapsed in the snow to the knee. The snow is layered above and below ice powder is very light. Come up with this snow (and without snow shoes ...) was very tiring.
I have not seen much evidence of recent animal sign that the snow has moved the herds to areas less rigid.
few photo opportunities, just a quick passage of shadows between the trees, two deer with winter coat. Today
a muffled silence reigned.
I stopped and I heard the woods: the north wind moved the branches slightly more 'tall who complained with an ominous rattle. A freezing mist rose from the north and has obscured the last light filtering through the low clouds.
of a sudden fell in the evening and I'm back on my low light.
The lake, the return was flat and the fog surrounding only the tops.
I took a picture and a few flakes of snow fell.

Canon 50d - Zeiss 28mm - ISO 100 - 5 sec

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Cerva and Fuson

I do not like the stalking continued for photographing animals, generally look to the territory, whose knowledge is essential, and I decide what to do.

I look around, I estimate the wind and all the factors that can 'absorb' my presence and I move between a short and stalking each other.
This year I've had to run to seek shelter, having entered the territory in 'interesting' almost simultaneously with a herd of deer: foregone conclusion, I identify deer and fade away quickly in the bush.
sorry for the inconvenience and for the missed opportunity.

The choice to move between a quick ambush and the other comes from the passion as a child I have for hiking in the mountains: I can not sit still for too long in a place without going to see what lies beyond without exploring ...
When I decide to go for a 'photo shoot', in fact, go out for a walk, go out to photograph, I go out to hunt an animal.
The challenge is to photograph it without disturbing it and without making the chance encounter, in a sense, the challenge is to track, anticipate their moves.
's fascinating to watch a wild animal in the eyes meet in the territory where it moves well and with elegance, offers a thrill and an unforgettable experience.
Maybe that's what I try, not to photograph an animal, a photograph, but look, the look of a being that gives me a tremendous sense of freedom.

These photos are the result of an instinct.
I was moving into a new territory in part, I did not know perfectly. I evaluated two simple factors: wind direction and the position of the sun. I moved slowly through a dense fir forest, I found a large clearing, and I waited for the breath to come back regularly to hear every little noise.
far away gives me my instincts are right: a doe and a young male (Fuson said) they are looking for food in the snow.
I do not see or smell me, I have the wind in my favor and the sun behind him.
took many photos. Only after several clicks
warn that there is something odd in that dry sound.
decide to change direction slowly, but before they look at me and our eyes meet. My favorite photos are those in which look into the animal.
They go quietly, I'm not scared.
hunting was good.

The doe comes first

He listens

The deer into view with Fuson, are posing ...

The Fuson

The Fuson goes last, calmly

All photos taken with Canon 50D - 400mm f5.6 L USM - some freehand , some with a tripod, but I do not remember what ...